Two decades before Bemberg's first feature-length film, Lah directed Las furias and Las modelos, films that engage with gendered embodied existence and the relational nature of freedom, through a unique attentiveness to the tension ...
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Language: en
Pages: 194
Pages: 194
Before Bemberg: Argentine Women Filmmakers calls into question the historiography of Argentine women filmmakers that has centered on María Luisa Bemberg to the exclusion of her predecessors. Its introductory discussion of the abundant initial participation by women in film production in the 1910s is followed by an account of their
Language: en
Pages: 234
Pages: 234
The first major study of Maria Luisa Bemberg's work.
Language: en
Pages: 220
Pages: 220
Investigates how Argentine cinema has represented rural spaces and urban margins from the 1910s to the present. The Projected Nation examines the representation of rural spaces and urban margins in Argentine cinema from the 1910s to the present. The literary and visual culture of the nineteenth and early-twentieth centuries formulated
Language: en
Pages: 253
Pages: 253
Combining history with discussions of dramatic cinema, Based on a True Story: Latin American History at the Movies examines how film has portrayed Latin America from the late fifteenth century to the present. The book opens with an introduction on the visual presentation of the past in the movies, while
Language: en
Pages:
Pages:
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