Crime in Verse

While novel scholars have been amassing and arranging texts in order to create assemblages of crime fictions that reveal patterns of political interest and literary inspiration , poetry scholars , also privileging middle - class ...

Crime in Verse

Over the last few decades, Victorian scholars have produced many nuanced studies connecting the politics of crime to the generic developments of the novel—and vice versa. Ellen L. O’Brien’s Crime in Verse grants the same attention and status to poetic representations of crime. Considering the literary achievements and cultural engagements of poetry while historicizing murder’s entanglement in legal fictions, punitive practices, medical theories, class conflicts, and gender codes, O’Brien argues that shifting approaches to poetry and conflicted understandings of murder allowed poets to align problems of legal and literary interpretation in provocative, disruptive, and innovative ways. Developing focused analyses of generic and discursive meanings, individual chapters examine the classed politics of crime and punishment in the broadside ballad, the epistemological tensions of homicidal lunacy and criminal responsibility in the dramatic monologue, and the legal and ideological frictions of domestic violence in the verse novel and verse drama. Their juxtaposition of the rhymes of anonymous street balladeers, the underexamined verse of “minor” poets, and the familiar poems of canonical figures suggests the interactive and intertextual relationships informing poetic agendas and political arguments. As it simultaneously reconsiders the institutional and ideological status of murder and the aesthetic and political interests of poetry, Crime in Verse offers new ways of thinking about Victorian poetry’s contents and contexts.

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Crime in Verse
Language: en
Pages: 288
Authors: Ellen L. O'Brien
Categories: Literary Criticism
Type: BOOK - Published: 2008 - Publisher:

Over the last few decades, Victorian scholars have produced many nuanced studies connecting the politics of crime to the generic developments of the novel—and vice versa. Ellen L. O’Brien’s Crime in Verse grants the same attention and status to poetic representations of crime. Considering the literary achievements and cultural engagements
“The” Complete Works in Verse and Prose
Language: en
Pages: 479
Authors: Andrew Marvell
Categories: Literary Criticism
Type: BOOK - Published: 1872 - Publisher:

Books about “The” Complete Works in Verse and Prose
The Complete Works in Verse and Prose of Andrew Marvell...
Language: en
Pages:
Authors: Andrew Marvell
Categories: Literary Criticism
Type: BOOK - Published: 1872 - Publisher:

Books about The Complete Works in Verse and Prose of Andrew Marvell...
The Complete Works in Verse and Prose of Andrew Marvell M.P.
Language: en
Pages:
Authors: Andrew Marvell
Categories: Literary Criticism
Type: BOOK - Published: 1872 - Publisher:

Books about The Complete Works in Verse and Prose of Andrew Marvell M.P.
Street Literature of the Long Nineteenth Century
Language: en
Pages: 387
Authors: David Atkinson, Steve Roud
Categories: History
Type: BOOK - Published: 2017-08-21 - Publisher: Cambridge Scholars Publishing

For centuries, street literature was the main cheap reading material of the working classes: broadsides, chapbooks, songsters, prints, engravings, and other forms of print produced specifically to suit their taste and cheap enough for even the poor to buy. Starting in the sixteenth century, but at its chaotic and flamboyant