David of Sassoun: The Armenian Folk Epic in Four Cycles, The Original Text. Athens: Ohio University Press, 1964. Smith, 1977. Smith, John D. “The Singer or the Song? A Reassessment of Lord's Oral Theory.” Man n.s. I2 (1977), 141–153.
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Language: en
Pages: 280
Pages: 280
Albert Bates Lord here offers an unparalleled overview of the nature of oral-traditional epic songs and the practices of the singers who composed them. Shaped by the conviction that theory should be based on what singers actually do, and have done in times past, the essays collected here span half
Language: en
Pages: 365
Pages: 365
Xhosa oral poetry has defied the threats to its integrity over two centuries, to take its place in a free South Africa. This volume establishes the background to this poetic re-emergence, preserving and transmitting the voice of the Xhosa poet.
Language: en
Pages: 176
Pages: 176
The relationship between the Homeric epics and archaeology has long suffered mixed fortunes, swinging between 'fundamentalist' attempts to use archaeology in order to demonstrate the essential historicity of the epics and their background, and outright rejection of the idea that archaeology is capable of contributing anything at all to our
Language: en
Pages: 292
Pages: 292
The major purpose of this book is to illustrate and explain the fundamental similarities and correspondences between humankind's oldest and newest thought-technologies: oral tradition and the Internet. Despite superficial differences, both technologies are radically alike in depending not on static products but rather on continuous processes, not on "What?" but
Language: en
Pages: 240
Pages: 240
Oral epic poetry is still performed by Turkic singers in Central Asia. On trips to the region, Karl Reichl collected heroic poems from the Uzbek, Kazakh, and Karakalpak oral traditions. Through a close analysis of these Turkic works, he shows that they are typologically similar to heroic poetry in Old