West End musical comedy has often been understood as a quirky, trivial and, for all its celebrity, curiously local phenomenon. Partly as a matter of showbiz tradition, it has been represented in terms of an imagined sense of production ...
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Language: en
Pages: 207
Pages: 207
This book offers the first full historical treatment of a music theatre that was once at the centre of London's West End. From the late Victorian period to the early 1920s, musical comedy was the single most popular form of 'legitimate' theatre entertainment. This lively account establishes musical comedy as
Language: en
Pages: 245
Pages: 245
This book examines the performance of ‘Britishness’ on the musical stage. Covering a tumultuous period in British history, it offers a fresh look at the vitality and centrality of the musical stage, as a global phenomenon in late-Victorian popular culture and beyond. Through a re-examination of over fifty archival play-scripts,
Language: en
Pages: 364
Pages: 364
Uncovers a world of forgotten triumphs of musical theatre that shine a light on major social topics. This book is also available as Open Access on Cambridge Core.
Language: en
Pages: 368
Pages: 368
How did the West End of London become the world's leading pleasure district? What is the source of its magnetic appeal? How did the centre of London become Theatreland? London's West End, 1800-1914 is the first ever history of the area which has enthralled millions. The reader will discover the
Language: en
Pages: 754
Pages: 754
The first comprehensive academic survey of British musical theatre from its origins, The Oxford Handbook of the British Musical offers both a historical account of musical theatre from 1728 and a range of in-depth critical analyses of key works and productions that illustrate its aesthetic values and sociocultural meanings.