Presenting a collection of interviews, this title features some of the most important women artists practising in modern Britain, including Tacita Dean, Tanya Kovats, Christine Borland, Jane Harris, Vanessa Jackson, Tracey Emin, Maria Lalic ...
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Language: en
Pages: 288
Pages: 288
This book gives a comprehensive account of the history and underlying economics of the modern art market in eighteenth- and nineteenth-century Britain.
Language: en
Pages: 284
Pages: 284
This collection explores Britain's struggle to carve a niche for itself on the international art scene. International scholars shed new light on such notions as the internationalization of the art market; the emergence of an increasingly complex exhibition culture; issues of national rivalry; artists' strategies for their own promotion; the
Language: en
Pages: 667
Pages: 667
Paul Nathanson and Katherine Young believe that this reveals a shift in the United States and Canada to a worldview based on ideological feminism, which presents all issues from the point of view of women and, in the process, explicitly or implicitly attacks men as a class. They argue that
Language: en
Pages: 315
Pages: 315
The ranks of English women writers rose steeply in the late 19th and early 20th centuries, contributing to the era’s revolutionary social movements as well as to transforming literary genres in prose and poetry. The phenomena of ‘the new’ — ‘New Women’, ‘New Unionism’, ‘New Imperialism’, ‘New Ethics’, ‘New Critics’,
Language: en
Pages: 320
Pages: 320
World Wars I and II changed the globe on a scale never seen before or since, and from these terrible conflicts came an abundance of photographs, drawings, and other artworks attempting to make sense of the turbulent era. In this generously illustrated book, Catherine Speck provides a fascinating account of